{"id":27,"date":"2024-06-07T20:48:00","date_gmt":"2024-06-07T20:48:00","guid":{"rendered":"https:\/\/selahattingezer.com.tr\/?p=27"},"modified":"2025-06-08T15:54:51","modified_gmt":"2025-06-08T15:54:51","slug":"hafizalarin-savasi-ve-cilonun-ardi","status":"publish","type":"post","link":"https:\/\/selaheddinbiyani.com.tr\/index.php\/2024\/06\/07\/hafizalarin-savasi-ve-cilonun-ardi\/","title":{"rendered":"HAFIZALARIN SAVA\u015eI VE C\u0130LO’NUN ARDI"},"content":{"rendered":"\n
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Neo-kolonyalist karnavallarda \u015fal \u00fb \u015fepiklerini giyip \u2018Kela Dimdim\u00ea \u00e7i xwe\u015f kel e\u2019 e\u015fli\u011finde halaya duran, haf\u0131zas\u0131zl\u0131\u011f\u0131n, k\u00f6ks\u00fczl\u00fc\u011f\u00fcn ve omurgas\u0131zl\u0131\u011f\u0131n b\u00fct\u00fcn tuzaklar\u0131na gelmi\u015f K\u00fcrt\u2019e ger\u00e7e\u011fin yanl\u0131\u015f temsili olan fig\u00fcran rol\u00fc bi\u00e7iliyor.<\/p>\n<\/blockquote>\n\n\n\n

<\/em> \u201cDevrim, haf\u0131zan\u0131n unutu\u015fa kar\u015f\u0131 direni\u015fidir\u2026\u201d<\/em><\/p>\n\n\n\n

                                                     Milan Kundera <\/em><\/p>\n\n\n\n

Avc\u0131n\u0131n av\u0131na y\u00f6nelirken hedef ald\u0131\u011f\u0131 ilk yer, en k\u0131r\u0131lgan ve en hayati yeri olan nefes borusudur.  K\u00fcrtlerin tarihleri boyunca her amans\u0131z ak\u0131nda solu\u011fu ald\u0131\u011f\u0131 da\u011f da K\u00fcrdistan\u2019\u0131n soluk borusu gibidir. D\u00fc\u015fmanlar\u0131, bu direngen kavmin ancak en da\u011fl\u0131 yerinden bo\u011fazlanarak d\u00fc\u015f\u00fcr\u00fclebilece\u011fini \u00e7ok iyi bilir. Fakat avc\u0131 \u015funu da hesaba katmal\u0131d\u0131r: O da\u011flar kolay di\u015f ge\u00e7irilebilen yumu\u015fak bir gerdan ile kar\u0131\u015ft\u0131r\u0131lmamal\u0131d\u0131r; o derin vadilerde y\u0131\u011f\u0131nlar halinde di\u015f k\u0131r\u0131klar\u0131 buna en b\u00fcy\u00fck \u015fahit\u2026 Bug\u00fcn Ko\u00e7gir\u00ee \u2018fatihi\u2019 Halil R\u0131fat Pa\u015fa\u2019n\u0131n \u201cGidemedi\u011fin yer senin de\u011fildir\u201d s\u00f6z\u00fc yeni kolonyalist ku\u015fatman\u0131n h\u00fccum borusu gibi K\u00fcrdistan\u2019\u0131n eri\u015filmez da\u011flar\u0131n\u0131n doruklar\u0131nda \u00f6tse de Seyday\u00ea T\u00eer\u00eaj\u2019in \u2018Meydan e ji bo hir\u00e7 \u00fb \u00e7eqel gur z\u00fbr e z\u00fbr e\u2019 itiraz\u0131na s\u00fcrekli tak\u0131lacakt\u0131r.<\/p>\n\n\n\n

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Anlam, imge, haf\u0131za ve de\u011ferlerin sava\u015f\u0131nda y\u00fczy\u0131llard\u0131r de\u011fi\u015fmeyen bir kural\u0131 Benjamin \u015f\u00f6yle \u00f6zetler: Devrimcilerin g\u00f6revi sadece gelece\u011fi kurmak de\u011fil; ayn\u0131 zamanda ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n\u0131n elinden kurtarmakt\u0131r. O y\u00fczden derler ki ard\u0131 olmayan\u0131n derdi \u00e7ok olur\u2026<\/em><\/p>\n<\/blockquote>\n\n\n\n

Kuruldu\u011fu andan itibaren yol, k\u00f6pr\u00fc, okul, k\u0131\u015fla ve cezaevleriyle K\u00fcrt\u2019\u00fc \u2018muas\u0131r medeniyet\u2019 d\u00fczeyine do\u011fru bask\u0131layan devlet, ikinci ittihat\u00e7\u0131l\u0131k d\u00f6nemiyle birlikte t\u00fcm bunlara tanr\u0131n\u0131n g\u00f6z\u00fc gibi her yeri g\u00f6rebilen g\u00f6zetleme kuleleri, kalekollar ve i\u015fgalin kutland\u0131\u011f\u0131 grotesk karnavallar\u0131n\u0131 da ekledi. K\u00fcrtlerin kolektif haf\u0131zas\u0131nda \u2018pa\u015fil\/paxil\u2019 denilen ve y\u00fczlerce direni\u015f destan\u0131n\u0131n nak\u0131\u015f nak\u0131\u015f i\u015flendi\u011fi o da\u011flarda valili, kaymakaml\u0131 ve kayyumlu s\u00f6m\u00fcrge karnavallar\u0131 eko-k\u0131r\u0131m e\u015fli\u011finde tepemize \u00e7\u00f6k\u00fcyor. Bu neo-kolonyalist karnavallarda \u015fal \u00fb \u015fepiklerini giyip \u2018Kela Dimdim\u00ea \u00e7i xwe\u015f kel e\u2019 e\u015fli\u011finde halaya duran, haf\u0131zas\u0131zl\u0131\u011f\u0131n, k\u00f6ks\u00fczl\u00fc\u011f\u00fcn ve omurgas\u0131zl\u0131\u011f\u0131n b\u00fct\u00fcn tuzaklar\u0131na gelmi\u015f K\u00fcrt\u2019e de ger\u00e7e\u011fin yanl\u0131\u015f temsili olan fig\u00fcran rol\u00fc bi\u00e7iliyor. \u201cSizin y\u0131llard\u0131r sar\u0131 mekaplar\u0131 ba\u011flay\u0131p gerilla halay\u0131na durdu\u011funuz 3 bin 400 rak\u0131ml\u0131k bu yerde ben harmandal\u0131n\u0131 oynat\u0131r, b\u00fct\u00fcn ulu T\u00fcrkl\u00fc\u011f\u00fcmle ve sizden \u00e7ald\u0131\u011f\u0131m ama art\u0131k benim olan t\u00fcrk\u00fcmle makaram\u0131 sar\u0131 da ba\u011flar\u0131m; k\u0131z\u0131 s\u00f6yletir gelini de a\u011flat\u0131r\u0131m\u201d diyor, k\u00fcf\u00fcrl\u00fc bir serenat gibi\u2026<\/p>\n\n\n\n

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\"\"\/<\/figure>\n<\/figure>\n\n\n\n

Da\u011f\u0131 te\u015fhir etmek, onu g\u00f6r\u00fcn\u00fcr k\u0131lmak, y\u00fczlerce asker e\u015fli\u011finde helikopterle inip orada \u00e7ay i\u00e7mek, \u201cBak\u0131n sorunu \u00e7\u00f6zd\u00fcm; hatta o kadar \u00e7\u00f6zd\u00fcm ki sorunun ana kayna\u011f\u0131na inip \u00e7ay i\u00e7iyorum!\u201d demenin bir sonras\u0131 \u201cHalk burada deliler gibi e\u011fleniyor\u201d ilan\u0131d\u0131r. K\u00fcrdistan\u2019da imge ve anlam sava\u015f\u0131na mekansal olarak da\u011flar da eklenmi\u015ftir art\u0131k.<\/em><\/p>\n<\/blockquote>\n\n\n\n

Fakat meseleyi kayyum uygulamalar\u0131 ba\u011flam\u0131na s\u0131k\u0131\u015ft\u0131rmak bu yeni kolonyalist ku\u015fatmay\u0131 tamam\u0131yla g\u00f6r\u00fcnmez k\u0131l\u0131yor. Neredeyse her K\u00fcrt\u2019\u00fcn anlam ve duygu d\u00fcnyas\u0131nda \u2018kelha berxwedan\u00ea\u2019 diye imlenen Amed\u2019i b\u00fct\u00fcn tarihsel, k\u00fclt\u00fcrel ve politik ger\u00e7ekli\u011finden kopar\u0131p \u2018karpuza ve yo\u011furda\u2019 indirgeyip tarihin en berbat heykellerini kentin ortas\u0131na yerle\u015ftirmenin nas\u0131l bir i\u015fgale denk geldi\u011fini d\u00fc\u015f\u00fcnmemiz gerekiyor. Daha \u00f6nce kendini kolay kolay g\u00f6stermeyen bu derin imgeler \u00f6zellikle 2015 sonras\u0131 a\u00e7\u0131k\u00e7a meydan okunan pornografik bir sembol i\u015fgaline d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n\n\n\n

Ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n elinden kurtarmak<\/strong><\/h3>\n\n\n\n

Bir direni\u015f \u00fclkesini milim milim haritaland\u0131rmak, ona abart\u0131l\u0131 estetik de\u011ferler y\u00fcklemek ve onu turistik bir mek\u00e2na d\u00f6n\u00fc\u015ft\u00fcrmek s\u00f6m\u00fcrgele\u015ftirilmi\u015f bireyde \u015f\u00f6yle bir patolojiyi s\u00fcrekli besler: Sizin ter\u00f6r ve \u015fiddetle kodlad\u0131\u011f\u0131n\u0131z bu da\u011flar\u0131n asl\u0131nda Alp Da\u011flar\u0131\u2019ndan bir fark\u0131 yok. Sosyal medyada \u201c\u0130svi\u00e7re olsa be\u011fenirdiniz ama buras\u0131 Geliy\u00ea Godern\u00ea\u201d \u00e7\u0131rp\u0131n\u0131\u015f\u0131 da bu korkun\u00e7 kompleksin d\u0131\u015favurumudur. \u201cBizim de \u00e7ok g\u00fczel bir \u00fclkemiz var; ne biz ne de \u00fclkemiz size anlat\u0131ld\u0131\u011f\u0131 gibi de\u011filiz; buyurun gelin ve g\u00f6r\u00fcn\u201d davetk\u00e2rl\u0131\u011f\u0131 s\u00f6m\u00fcrge bireyinin ruhuna enjekte edilmi\u015f say\u0131s\u0131z zehirden al\u0131r g\u0131das\u0131n\u0131\u2026  <\/p>\n\n\n\n

Bu k\u0131r\u0131m\u0131n ad\u0131na sevimlilik efekti yap\u0131\u015ft\u0131r\u0131larak icat edilen \u2018ter\u00f6rden ar\u0131nd\u0131r\u0131lm\u0131\u015f b\u00f6lgelerde da\u011f turizmi\u2019 ifadesini \u2018m\u00fcjdeler\u2019 takip ediyor: M\u00fcjde Gabar\u2019da petrol bulduk! Bu, siyasi anlam\u0131n ticari anlama tahvil edilmesi; anlam\u0131n i\u015fgale u\u011framas\u0131d\u0131r. C\u00eelo\u2019dan Nebirnav yaylas\u0131na kadar olan alanda \u201cMilyonlarca dolar de\u011feri olan \u00e7inko ve bak\u0131r yata\u011f\u0131 bulduk\u201d diye Hakk\u00e2ri\u2019ye saadet ve para getirme vaatleri verip, kar\u015f\u0131l\u0131\u011f\u0131nda bir \u00fclkeyi b\u00fct\u00fcn do\u011fas\u0131yla talan etme yine ayn\u0131 i\u015fgalin ba\u015fka bir \u00f6rt\u00fcl\u00fc g\u00f6stergesidir. <\/p>\n\n\n\n

 Da\u011f\u0131 te\u015fhir etmek, onu g\u00f6r\u00fcn\u00fcr k\u0131lmak, y\u00fczlerce asker e\u015fli\u011finde helikopterle inip orada \u00e7ay i\u00e7mek, \u201cBak\u0131n sorunu \u00e7\u00f6zd\u00fcm; hatta o kadar \u00e7\u00f6zd\u00fcm ki sorunun ana kayna\u011f\u0131na inip \u00e7ay i\u00e7iyorum!\u201d demenin bir sonras\u0131 \u201cHalk burada deliler gibi e\u011fleniyor\u201d ilan\u0131d\u0131r. K\u00fcrdistan\u2019da imge ve anlam sava\u015f\u0131na mekansal olarak da\u011flar da eklenmi\u015ftir art\u0131k. C\u00eelo\u2019da festivalin d\u00fczenlendi\u011fi alan\u0131n arkas\u0131nda Meskan Da\u011flar\u0131 uzan\u0131r ve o da\u011f\u0131n kalbinde maden ocaklar\u0131 har\u0131l har\u0131l \u00e7al\u0131\u015fmaktad\u0131r! Muktedir da\u011f\u0131n bir y\u00fcz\u00fcnde turizm festivalleri d\u00fczenleyerek \u00f6rt\u00fcs\u00fcn\u00fc kald\u0131r\u0131rken \u00f6b\u00fcr y\u00fcz\u00fcnde i\u00e7ini par\u00e7alaya par\u00e7alaya madenler \u00e7\u0131kar\u0131r. Da\u011flar\u0131n i\u00e7ini \u00e7ekip alarak y\u00f6re esnaf\u0131na b\u00fcy\u00fck m\u00fcjdeyi sunar: Yeni gelir kap\u0131n\u0131z haz\u0131r beyler! <\/p>\n\n\n\n

Anlam, imge, haf\u0131za ve de\u011ferlerin sava\u015f\u0131nda y\u00fczy\u0131llard\u0131r de\u011fi\u015fmeyen bir kural\u0131 Benjamin ise \u015f\u00f6yle \u00f6zetler: Devrimcilerin g\u00f6revi sadece gelece\u011fi kurmak de\u011fil; ayn\u0131 zamanda ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n\u0131n elinden kurtarmakt\u0131r. O y\u00fczden derler ki ard\u0131 olmayan\u0131n derdi \u00e7ok olur\u2026 <\/p>\n","protected":false},"excerpt":{"rendered":"

Neo-kolonyalist karnavallarda \u015fal \u00fb \u015fepiklerini giyip \u2018Kela Dimdim\u00ea \u00e7i xwe\u015f kel e\u2019 e\u015fli\u011finde halaya duran, haf\u0131zas\u0131zl\u0131\u011f\u0131n, k\u00f6ks\u00fczl\u00fc\u011f\u00fcn ve omurgas\u0131zl\u0131\u011f\u0131n b\u00fct\u00fcn tuzaklar\u0131na gelmi\u015f K\u00fcrt\u2019e ger\u00e7e\u011fin yanl\u0131\u015f temsili olan fig\u00fcran rol\u00fc bi\u00e7iliyor. \u201cDevrim, haf\u0131zan\u0131n unutu\u015fa kar\u015f\u0131 direni\u015fidir\u2026\u201d                                                      Milan Kundera  Avc\u0131n\u0131n av\u0131na y\u00f6nelirken hedef ald\u0131\u011f\u0131 ilk yer, en k\u0131r\u0131lgan ve en hayati yeri olan nefes borusudur.  K\u00fcrtlerin tarihleri boyunca her amans\u0131z ak\u0131nda solu\u011fu ald\u0131\u011f\u0131 da\u011f da K\u00fcrdistan\u2019\u0131n soluk borusu gibidir. D\u00fc\u015fmanlar\u0131, bu direngen kavmin ancak en da\u011fl\u0131 yerinden bo\u011fazlanarak d\u00fc\u015f\u00fcr\u00fclebilece\u011fini \u00e7ok iyi bilir. Fakat avc\u0131 \u015funu da hesaba katmal\u0131d\u0131r: O da\u011flar kolay di\u015f ge\u00e7irilebilen yumu\u015fak bir gerdan ile kar\u0131\u015ft\u0131r\u0131lmamal\u0131d\u0131r; o derin vadilerde y\u0131\u011f\u0131nlar halinde di\u015f k\u0131r\u0131klar\u0131 buna en b\u00fcy\u00fck \u015fahit\u2026 Bug\u00fcn Ko\u00e7gir\u00ee \u2018fatihi\u2019 Halil R\u0131fat Pa\u015fa\u2019n\u0131n \u201cGidemedi\u011fin yer senin de\u011fildir\u201d s\u00f6z\u00fc yeni kolonyalist ku\u015fatman\u0131n h\u00fccum borusu gibi K\u00fcrdistan\u2019\u0131n eri\u015filmez da\u011flar\u0131n\u0131n doruklar\u0131nda \u00f6tse de Seyday\u00ea T\u00eer\u00eaj\u2019in \u2018Meydan e ji bo hir\u00e7 \u00fb \u00e7eqel gur z\u00fbr e z\u00fbr e\u2019 itiraz\u0131na s\u00fcrekli tak\u0131lacakt\u0131r. Anlam, imge, haf\u0131za ve de\u011ferlerin sava\u015f\u0131nda y\u00fczy\u0131llard\u0131r de\u011fi\u015fmeyen bir kural\u0131 Benjamin \u015f\u00f6yle \u00f6zetler: Devrimcilerin g\u00f6revi sadece gelece\u011fi kurmak de\u011fil; ayn\u0131 zamanda ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n\u0131n elinden kurtarmakt\u0131r. O y\u00fczden derler ki ard\u0131 olmayan\u0131n derdi \u00e7ok olur\u2026 Kuruldu\u011fu andan itibaren yol, k\u00f6pr\u00fc, okul, k\u0131\u015fla ve cezaevleriyle K\u00fcrt\u2019\u00fc \u2018muas\u0131r medeniyet\u2019 d\u00fczeyine do\u011fru bask\u0131layan devlet, ikinci ittihat\u00e7\u0131l\u0131k d\u00f6nemiyle birlikte t\u00fcm bunlara tanr\u0131n\u0131n g\u00f6z\u00fc gibi her yeri g\u00f6rebilen g\u00f6zetleme kuleleri, kalekollar ve i\u015fgalin kutland\u0131\u011f\u0131 grotesk karnavallar\u0131n\u0131 da ekledi. K\u00fcrtlerin kolektif haf\u0131zas\u0131nda \u2018pa\u015fil\/paxil\u2019 denilen ve y\u00fczlerce direni\u015f destan\u0131n\u0131n nak\u0131\u015f nak\u0131\u015f i\u015flendi\u011fi o da\u011flarda valili, kaymakaml\u0131 ve kayyumlu s\u00f6m\u00fcrge karnavallar\u0131 eko-k\u0131r\u0131m e\u015fli\u011finde tepemize \u00e7\u00f6k\u00fcyor. Bu neo-kolonyalist karnavallarda \u015fal \u00fb \u015fepiklerini giyip \u2018Kela Dimdim\u00ea \u00e7i xwe\u015f kel e\u2019 e\u015fli\u011finde halaya duran, haf\u0131zas\u0131zl\u0131\u011f\u0131n, k\u00f6ks\u00fczl\u00fc\u011f\u00fcn ve omurgas\u0131zl\u0131\u011f\u0131n b\u00fct\u00fcn tuzaklar\u0131na gelmi\u015f K\u00fcrt\u2019e de ger\u00e7e\u011fin yanl\u0131\u015f temsili olan fig\u00fcran rol\u00fc bi\u00e7iliyor. \u201cSizin y\u0131llard\u0131r sar\u0131 mekaplar\u0131 ba\u011flay\u0131p gerilla halay\u0131na durdu\u011funuz 3 bin 400 rak\u0131ml\u0131k bu yerde ben harmandal\u0131n\u0131 oynat\u0131r, b\u00fct\u00fcn ulu T\u00fcrkl\u00fc\u011f\u00fcmle ve sizden \u00e7ald\u0131\u011f\u0131m ama art\u0131k benim olan t\u00fcrk\u00fcmle makaram\u0131 sar\u0131 da ba\u011flar\u0131m; k\u0131z\u0131 s\u00f6yletir gelini de a\u011flat\u0131r\u0131m\u201d diyor, k\u00fcf\u00fcrl\u00fc bir serenat gibi\u2026 Fakat meseleyi kayyum uygulamalar\u0131 ba\u011flam\u0131na s\u0131k\u0131\u015ft\u0131rmak bu yeni kolonyalist ku\u015fatmay\u0131 tamam\u0131yla g\u00f6r\u00fcnmez k\u0131l\u0131yor. Neredeyse her K\u00fcrt\u2019\u00fcn anlam ve duygu d\u00fcnyas\u0131nda \u2018kelha berxwedan\u00ea\u2019 diye imlenen Amed\u2019i b\u00fct\u00fcn tarihsel, k\u00fclt\u00fcrel ve politik ger\u00e7ekli\u011finden kopar\u0131p \u2018karpuza ve yo\u011furda\u2019 indirgeyip tarihin en berbat heykellerini kentin ortas\u0131na yerle\u015ftirmenin nas\u0131l bir i\u015fgale denk geldi\u011fini d\u00fc\u015f\u00fcnmemiz gerekiyor. Daha \u00f6nce kendini kolay kolay g\u00f6stermeyen bu derin imgeler \u00f6zellikle 2015 sonras\u0131 a\u00e7\u0131k\u00e7a meydan okunan pornografik bir sembol i\u015fgaline d\u00f6n\u00fc\u015ft\u00fc. Ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n elinden kurtarmak Bir direni\u015f \u00fclkesini milim milim haritaland\u0131rmak, ona abart\u0131l\u0131 estetik de\u011ferler y\u00fcklemek ve onu turistik bir mek\u00e2na d\u00f6n\u00fc\u015ft\u00fcrmek s\u00f6m\u00fcrgele\u015ftirilmi\u015f bireyde \u015f\u00f6yle bir patolojiyi s\u00fcrekli besler: Sizin ter\u00f6r ve \u015fiddetle kodlad\u0131\u011f\u0131n\u0131z bu da\u011flar\u0131n asl\u0131nda Alp Da\u011flar\u0131\u2019ndan bir fark\u0131 yok. Sosyal medyada \u201c\u0130svi\u00e7re olsa be\u011fenirdiniz ama buras\u0131 Geliy\u00ea Godern\u00ea\u201d \u00e7\u0131rp\u0131n\u0131\u015f\u0131 da bu korkun\u00e7 kompleksin d\u0131\u015favurumudur. \u201cBizim de \u00e7ok g\u00fczel bir \u00fclkemiz var; ne biz ne de \u00fclkemiz size anlat\u0131ld\u0131\u011f\u0131 gibi de\u011filiz; buyurun gelin ve g\u00f6r\u00fcn\u201d davetk\u00e2rl\u0131\u011f\u0131 s\u00f6m\u00fcrge bireyinin ruhuna enjekte edilmi\u015f say\u0131s\u0131z zehirden al\u0131r g\u0131das\u0131n\u0131\u2026   Bu k\u0131r\u0131m\u0131n ad\u0131na sevimlilik efekti yap\u0131\u015ft\u0131r\u0131larak icat edilen \u2018ter\u00f6rden ar\u0131nd\u0131r\u0131lm\u0131\u015f b\u00f6lgelerde da\u011f turizmi\u2019 ifadesini \u2018m\u00fcjdeler\u2019 takip ediyor: M\u00fcjde Gabar\u2019da petrol bulduk! Bu, siyasi anlam\u0131n ticari anlama tahvil edilmesi; anlam\u0131n i\u015fgale u\u011framas\u0131d\u0131r. C\u00eelo\u2019dan Nebirnav yaylas\u0131na kadar olan alanda \u201cMilyonlarca dolar de\u011feri olan \u00e7inko ve bak\u0131r yata\u011f\u0131 bulduk\u201d diye Hakk\u00e2ri\u2019ye saadet ve para getirme vaatleri verip, kar\u015f\u0131l\u0131\u011f\u0131nda bir \u00fclkeyi b\u00fct\u00fcn do\u011fas\u0131yla talan etme yine ayn\u0131 i\u015fgalin ba\u015fka bir \u00f6rt\u00fcl\u00fc g\u00f6stergesidir.   Da\u011f\u0131 te\u015fhir etmek, onu g\u00f6r\u00fcn\u00fcr k\u0131lmak, y\u00fczlerce asker e\u015fli\u011finde helikopterle inip orada \u00e7ay i\u00e7mek, \u201cBak\u0131n sorunu \u00e7\u00f6zd\u00fcm; hatta o kadar \u00e7\u00f6zd\u00fcm ki sorunun ana kayna\u011f\u0131na inip \u00e7ay i\u00e7iyorum!\u201d demenin bir sonras\u0131 \u201cHalk burada deliler gibi e\u011fleniyor\u201d ilan\u0131d\u0131r. K\u00fcrdistan\u2019da imge ve anlam sava\u015f\u0131na mekansal olarak da\u011flar da eklenmi\u015ftir art\u0131k. C\u00eelo\u2019da festivalin d\u00fczenlendi\u011fi alan\u0131n arkas\u0131nda Meskan Da\u011flar\u0131 uzan\u0131r ve o da\u011f\u0131n kalbinde maden ocaklar\u0131 har\u0131l har\u0131l \u00e7al\u0131\u015fmaktad\u0131r! Muktedir da\u011f\u0131n bir y\u00fcz\u00fcnde turizm festivalleri d\u00fczenleyerek \u00f6rt\u00fcs\u00fcn\u00fc kald\u0131r\u0131rken \u00f6b\u00fcr y\u00fcz\u00fcnde i\u00e7ini par\u00e7alaya par\u00e7alaya madenler \u00e7\u0131kar\u0131r. Da\u011flar\u0131n i\u00e7ini \u00e7ekip alarak y\u00f6re esnaf\u0131na b\u00fcy\u00fck m\u00fcjdeyi sunar: Yeni gelir kap\u0131n\u0131z haz\u0131r beyler!  Anlam, imge, haf\u0131za ve de\u011ferlerin sava\u015f\u0131nda y\u00fczy\u0131llard\u0131r de\u011fi\u015fmeyen bir kural\u0131 Benjamin ise \u015f\u00f6yle \u00f6zetler: Devrimcilerin g\u00f6revi sadece gelece\u011fi kurmak de\u011fil; ayn\u0131 zamanda ge\u00e7mi\u015fi d\u00fc\u015fman\u0131n\u0131n elinden kurtarmakt\u0131r. O y\u00fczden derler ki ard\u0131 olmayan\u0131n derdi \u00e7ok olur\u2026<\/p>\n","protected":false},"author":1,"featured_media":39,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":2,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-27","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":6,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/27\/revisions"}],"predecessor-version":[{"id":367,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/27\/revisions\/367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/media\/39"}],"wp:attachment":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=27"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=27"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}