{"id":91,"date":"2021-03-07T07:43:00","date_gmt":"2021-03-07T07:43:00","guid":{"rendered":"https:\/\/selahattingezer.com.tr\/?p=91"},"modified":"2025-06-08T15:37:03","modified_gmt":"2025-06-08T15:37:03","slug":"ez-kurdi-nizanim","status":"publish","type":"post","link":"https:\/\/selaheddinbiyani.com.tr\/index.php\/2021\/03\/07\/ez-kurdi-nizanim\/","title":{"rendered":"EZ KURD\u00ce NIZANIM!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>&#8220;S\u00f6m\u00fcrgecinin sizlerde yaratt\u0131\u011f\u0131 en b\u00fcy\u00fck y\u0131k\u0131m zamanla kendinize onlar\u0131n g\u00f6z\u00fcyle bakman\u0131z\u0131 sa\u011flamalar\u0131d\u0131r.&#8221; <strong>F. Fanon<\/strong><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Orada art\u0131k senin g\u00f6z\u00fcn ve bak\u0131\u015f\u0131n yoktur.&nbsp;&nbsp;Aynada g\u00f6rd\u00fc\u011f\u00fcn \u015fey senin y\u00fcz\u00fcn, sana bakan g\u00f6z ise i\u015fgalcinin g\u00f6z\u00fcd\u00fcr. Kendi dilinle konu\u015fman bile kar etmez; lakin \u2018anadilim\u2019 dedi\u011fin \u015fey bile s\u00f6m\u00fcrgecinin zihinsel kodlar\u0131ndan dam\u0131t\u0131lm\u0131\u015f \u2018annenin olmayan\u2019 dilidir. Bu sarmal dram, s\u00f6m\u00fcrgecinin b\u00fct\u00fcn zihinsel kodlar\u0131n\u0131 kendi i\u00e7inde yap\u0131s\u00f6k\u00fcme u\u011frat\u0131p kendinle ilgili tan\u0131mlarda sadece kendini refere etti\u011fin o b\u00fcy\u00fck an\u2019a kadar s\u00fcrer. \u0130\u015fte bu an, tam da \u2018ilk kur\u015fun\u2019u s\u00f6m\u00fcrgecinin g\u00f6\u011fs\u00fcne de\u011fil, s\u00f6m\u00fcrgecinin sende \u00e7\u00fcr\u00fctt\u00fc\u011f\u00fc \u2018senin olmayan benli\u011fine \u2019s\u0131kt\u0131\u011f\u0131n e\u015fikte ortaya \u00e7\u0131kan bir par\u0131lt\u0131d\u0131r!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Amed&#8217;de ya\u015fl\u0131 bir amcan\u0131n &#8216;Kurd xayin in&#8217; laf\u0131 ile bir T\u00fcrk fa\u015fistinin &#8216;Hain K\u00fcrtler&#8217; laf\u0131 ayn\u0131 zihinsel referans\u0131n iki ayr\u0131 \u00e7\u0131kt\u0131s\u0131d\u0131r. Bu s\u00f6ylemi yaratan duygu d\u00fcnyalar\u0131 ne kadar birbirinden farkl\u0131 olsa bile s\u00f6yleten kod \u2018s\u00f6m\u00fcrgecinin\u2019 kodudur. \u00c7\u00fcnk\u00fc en nihayetinde K\u00fcrtl\u00fck ile hainlik \u00f6zde\u015f k\u0131l\u0131nm\u0131\u015ft\u0131r!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alabildi\u011fince \u00fczerinde emanet duran ve sana bizzat zorla \u00f6\u011fretenlerin yer yer \u2018mizah\u0131na ana malzeme olan k\u0131r\u0131k T\u00fcrk\u00e7ende inat edi\u015fin Fanon\u2019un bahsetti\u011fi beyaz taraf\u0131ndan k\u0131\u015fk\u0131rt\u0131lm\u0131\u015f siyahi kompleksin sana sinsice s\u0131r\u0131tmas\u0131d\u0131r. &#8216;Diya min Kurd e l\u00ea ez ne Kurd im&#8217; (Annem K\u00fcrt ama ben de\u011filim) c\u00fcmlesinin tek m\u00fcsebbibi olarak alt\u0131 ya\u015f\u0131ndan itibaren bilin\u00e7alt\u0131na kaz\u0131nm\u0131\u015f &#8216;And\u0131m\u0131z&#8217;\u0131 ve ilkokulda ezberletilmi\u015f \u015fanl\u0131 tarih kitaplar\u0131n\u0131 g\u00f6stermen de seni kurtarmaz art\u0131k. &#8216;Bajar\u00ee Tirk\u00ee, gund\u00ee Kurmanc\u00ee diaxifin&#8217; (\u015eehirliler T\u00fcrk\u00e7e k\u00f6yl\u00fcler ise K\u00fcrt\u00e7e konu\u015fur) kabul\u00fcn\u00fcn yerine \u2018Kurd\u00ee t\u00eara ziman\u00ea zanist\u00ea nake\u2019 (K\u00fcrt\u00e7e bilim dili i\u00e7in yetersizdir) kabul\u00fcn\u00fc ikame etmi\u015fsindir. Mardin \u00c7ars\u0131s\u0131nda devlet erk\u00e2n\u0131yla d\u00fckk\u00e2n\u0131nda otururken d\u00fckk\u00e2na giren ve K\u00fcrt\u00e7e konu\u015fan bir ba\u015fka K\u00fcrde burun k\u0131v\u0131ran, hatta ayn\u0131 dili konu\u015fman\u0131n utanc\u0131yla efendisinin yan\u0131nda mahcup d\u00fc\u015fen bir esnaf\u0131n K\u00fcrtl\u00fc\u011f\u00fcne dair duygu d\u00fcnyas\u0131n\u0131 kurcalamadan meseleyi sadece \u2018anadilde e\u011fitim\u2019 ba\u011flam\u0131na hapsetmek seni fena bir tuza\u011fa \u00e7ekmi\u015ftir. B\u00fct\u00fcn bu e\u015fitsizli\u011fin, yarat\u0131lan \u2018yetmezlik\u2019 duygusunun sosyolojik kar\u015f\u0131l\u0131\u011f\u0131 Erci\u015f\u2019te ya\u015fl\u0131 bir amcan\u0131n &#8216;Tirk\u00ee ziman\u00ea efendiya ye&#8217; (T\u00fcrk\u00e7e efendilerin dilidir) c\u00fcmlesinde v\u00fccuda gelmi\u015ftir.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu ba\u011flamda K\u00fcrt enteljansiyas\u0131n\u0131n K\u00fcrt\u00e7e ile ili\u015fkilenme tarz\u0131n\u0131n trajik tarihini K\u00fcrt modernle\u015fmesi ile K\u00fcrt Gelenekselli\u011fi aras\u0131ndaki y\u00fczlerce y\u0131ll\u0131k ge\u00e7i\u015flilik, \u00e7at\u0131\u015fma, kar\u015f\u0131l\u0131kl\u0131 etkilenme ba\u011f\u0131 \u00fczerinden kurman\u0131n zorunlu\u011fu kendini g\u00f6stermektedir. Osmanl\u0131\u2019n\u0131n son d\u00f6neminden bu g\u00fcne kadar K\u00fcrt ayd\u0131nlar\u0131n\u0131n kulland\u0131\u011f\u0131 tarihsellik, vatan, dil, k\u00fclt\u00fcr, kurtulu\u015f, devrim ve modernlik s\u00f6yleminin i\u00e7inden K\u00fcrtl\u00fck ve K\u00fcrdistan\u2019\u0131 \u00e7\u0131kard\u0131\u011f\u0131n\u0131zda geriye kalan \u015fey, ya \u0130ttihat\u00e7\u0131l\u0131ktan ya da \u0130slamc\u0131l\u0131ktan fazlas\u0131yla etkilenmi\u015f \u00e7a\u011fr\u0131 manzumeleridir.&nbsp;&nbsp;\u00d6zetle \u0130slamc\u0131 sa\u011f ile ayd\u0131nlanmac\u0131 solun tedrisat\u0131ndan ge\u00e7mi\u015f K\u00fcrt ayd\u0131nlar\u0131n\u0131n K\u00fcrt\u00e7e derdi kurtulu\u015f mitinin i\u00e7inde \u00e7o\u011funlukla \u2018ikincil\u2019 kalm\u0131\u015ft\u0131r. DDKO\u2019nun mahkeme savunmalar\u0131nda \u2018Devlet, Do\u011fu illerine okul a\u00e7mad\u0131\u011f\u0131 i\u00e7in insanlar mecburen \u00e7ocuklar\u0131n\u0131 medreselerde gerici bir e\u011fitime g\u00f6ndermeye mecbur kal\u0131yor\u2019 demesinden 1990\u2019l\u0131 y\u0131llarda binlerce K\u00fcrt yurtseverini katletmi\u015f bir siyasal gelene\u011fin \u2018K\u00fcrt\u00e7e E\u011fitim Dili Olsun\u2019 dedi\u011fi g\u00fcnlere gelmi\u015f bulunmaktay\u0131z. K\u00fcrtl\u00fc\u011f\u00fcn\u00fc sonradan ke\u015ffetmi\u015f olman\u0131n o sars\u0131c\u0131 romantizmiyle oto oryantalizmin her t\u00fcrl\u00fc tuza\u011f\u0131na d\u00fc\u015fen, k\u00f6kleri d\u0131\u015far\u0131da bir k\u00f6k aray\u0131\u015f\u0131, tarihsel belle\u011fin in\u015fas\u0131 ad\u0131 alt\u0131nda \u015fekillenen bir \u2018ge\u00e7mi\u015f feti\u015fizmi ve ar\u015fiv tap\u0131n\u0131c\u0131l\u0131\u011f\u0131\u2019 K\u00fcrt\u00e7eyi otantik d\u00fcnyan\u0131n balkonunda konu\u015fulan sevimli bir dil olarak kodlayan bir \u2018entelekt\u00fcel panay\u0131r\u0131n\u2019 tam ortas\u0131na d\u00fc\u015fm\u00fc\u015f bulunmaktay\u0131z. Ama bu panay\u0131r\u0131n yaratt\u0131\u011f\u0131 belki de en b\u00fcy\u00fck olumsall\u0131k, K\u00fcrt\u00e7enin art\u0131k K\u00fcrd\u00fcn ertelenemez asli bir sorunu oldu\u011fu ger\u00e7e\u011fidir. Birileri K\u00fcrd\u00fcn asli dilinin yerine egemenin s\u0131n\u0131rlar\u0131n\u0131 belirledi\u011fi resmi bir dili dola\u015f\u0131ma sokarken, di\u011feri K\u00fcrd\u00fcn tarihsel direni\u015f gelene\u011finden s\u00fcz\u00fcl\u00fcp gelmi\u015f bir K\u00fcrt\u00e7eye a\u011fdalar \u00e7ekerek, past\u00f6rize ederek, senfonikle\u015ftirirken bunu literat\u00fcre \u2018politik kayg\u0131 ta\u015f\u0131mayan sanatsal zarafet \u2018 olarak sunmaktad\u0131r. Kendini K\u00fcrtl\u00fck d\u00fcnyas\u0131n\u0131n k\u0131y\u0131s\u0131na \u00e7ekerek kibrini \u2018s\u00fcr\u00fcn\u00fcn i\u00e7inde benekli koyunum\u2019 alegorisiyle maskeleyenlerin,&nbsp; bilin\u00e7alt\u0131ndaki \u00fclkesinin K\u00fcrdistan, dilindeki \u00fclkesinin b\u00f6lge olmas\u0131n\u0131n hi\u00e7bir k\u0131ymeti harbiyesi yoktur art\u0131k! B\u00f6ylesi bir tutumun Vizontele filminde film boyunca K\u00fcrt devrimcilerine bir tek K\u00fcrt\u00e7e c\u00fcmle kurdurmayan Y\u0131lmaz Erdo\u011fan \u00fcrkekli\u011finden ve kurnazl\u0131\u011f\u0131ndan hi\u00e7bir fark\u0131 yoktur!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00fcrtlerin bin y\u0131llara dayanan sosyolojik ve tarihsel ger\u00e7ekli\u011fini do\u011fru yerden okuyabilen bir insan ancak K\u00fcrtlerin dil ve k\u00fclt\u00fcr noktas\u0131ndaki direncini ve inad\u0131n\u0131 do\u011fru yerden okuyabilir. K\u00fcrtleri bu g\u00fcn kimlik\u00e7ilik siyaseti \u00fczerinden ele\u015ftiren bir solcunun (?) Ankara\u2019n\u0131n g\u00f6be\u011finde K\u00fcrt\u00e7e \u015fark\u0131 okudu\u011fu i\u00e7in b\u0131\u00e7aklan\u0131p \u00f6ld\u00fcr\u00fclm\u00fc\u015f bir K\u00fcrd\u00fcn cesedine bak\u0131p \u2018ayyy bunlar ne istiyorlar?\u2019 diyen bir ortalama milliyet\u00e7iden hi\u00e7bir fark\u0131 yoktur! Benim b\u00fct\u00fcn varolu\u015fuma \u015fekil veren anadilim konusundaki inad\u0131m\u0131 egemen olman\u0131n b\u00fct\u00fcn ayr\u0131cal\u0131klar\u0131n\u0131 ya\u015fayan bir beyaza anlatmak i\u00e7in Nasrettin Hoca\u2019n\u0131n damdan d\u00fc\u015ferken \u2018bana doktor de\u011fil damdan d\u00fc\u015fen birini getirin\u2019 \u015feklinde s\u00f6yleme \u015fans\u0131m olmad\u0131\u011f\u0131na g\u00f6re \u00fczg\u00fcn\u00fcm! Anadilde e\u011fitimin olup olmamas\u0131 gibi bir tart\u0131\u015fmay\u0131 bile y\u00fcr\u00fctmek meseleyi bu kadar geri bir yerden almak iken bu kadar insani bir talebi kimlik\u00e7ilik eksenine hapsetmenin bariz kar\u015f\u0131l\u0131\u011f\u0131 kitabi bir gevezeliktir, sol kibirdir ve k\u00fc\u00e7\u00fck burjuva konformizminden beslenen kasabal\u0131 l\u00fcmpenli\u011fidir. \u0130zmirli beyaz bir yazar\u0131n K\u00fcrt ve T\u00fcrk gen\u00e7lerinin sevgili olmas\u0131 gerekti\u011fi \u015feklindeki beyanat\u0131yla Rize Belediye ba\u015fkan\u0131n\u0131n K\u00fcrt kad\u0131nlar\u0131n\u0131n T\u00fcrk erkekleri taraf\u0131ndan kuma olarak al\u0131nmas\u0131 gerekti\u011fi ile \u2018hep karde\u015f olacak de\u011filiz ya ya\u015fas\u0131n halklar\u0131n sevgilili\u011fi\u2019 diyen Hakk\u00e2rili bir \u015fovmenin bize \u00f6\u011fretti\u011fi tek bir \u015fey vard\u0131r. K\u00fcrtlerin anadil sorunu ba\u015fta olmak \u00fczere K\u00fcrt sorunu bil c\u00fcmle soytar\u0131ya g\u00fcndem malzemesi yap\u0131lmayacak kadar ciddi bir sorundur!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Modern iktidar\u0131n dilin d\u00fcnyaya ait ger\u00e7ekli\u011fini kurma ve anlam d\u00fcnyas\u0131na \u015fekil verme g\u00fcc\u00fcn\u00fc b\u00fcy\u00fck oranda yok etti\u011fini, dil ve anlam aras\u0131ndaki par\u00e7alanman\u0131n s\u00f6z\u00fc \u00f6ld\u00fcrd\u00fc\u011f\u00fcn\u00fc, mitolojinin dil \u00fczerindeki karanl\u0131k g\u00f6lgesinin akl\u0131n dil \u00fczerindeki karanl\u0131k g\u00f6lgesine d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcnden hatta dilin art\u0131k hi\u00e7bir \u015feyi anlatamayan bir say\u0131klamaya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc kabul etsem bile tek bir \u015fey isterim: T\u00fcm bunlar\u0131 kendi dilimle yaz\u0131p okumak! Bat\u0131 d\u00fcnyas\u0131 istedi\u011fi kadar dilin \u00f6l\u00fcm\u00fcn\u00fc ilan etsin; dil bu topraklarda hala canl\u0131d\u0131r; g\u00fc\u00e7l\u00fc bir praksis ile birlikte b\u00fcy\u00fcd\u00fc\u011f\u00fcnde d\u00f6n\u00fc\u015ft\u00fcrme g\u00fcc\u00fcnden ve kudretinden hi\u00e7 bir \u015fey kaybetmemi\u015ftir. Dil hala devrimcidir; bu dilin sahipleri Sultan Sencer\u2019den Kemalist devrime kadar Kurdistan denilen \u00fclkelerine Kurdistan dedikleri i\u00e7in bug\u00fcn cezaevlerindedir. \u0130lkokulda \u2018Tu Kurd\u00ee dizan\u00ee\u2019 diye soran \u00f6\u011fretmene, \u00e7ocu\u011fun \u2018Na ez Kurd\u00ee nizanim\u2019 dedi\u011fi andaki zihinsel yar\u0131lmay\u0131 ve duygu par\u00e7alanmas\u0131n\u0131 anlayamayanlar bir zahmet \u00f6teye gitsin!&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;S\u00f6m\u00fcrgecinin sizlerde yaratt\u0131\u011f\u0131 en b\u00fcy\u00fck y\u0131k\u0131m zamanla kendinize onlar\u0131n g\u00f6z\u00fcyle bakman\u0131z\u0131 sa\u011flamalar\u0131d\u0131r.&#8221; F. Fanon Orada art\u0131k senin g\u00f6z\u00fcn ve bak\u0131\u015f\u0131n yoktur.&nbsp;&nbsp;Aynada g\u00f6rd\u00fc\u011f\u00fcn \u015fey senin y\u00fcz\u00fcn, sana bakan g\u00f6z ise i\u015fgalcinin g\u00f6z\u00fcd\u00fcr. Kendi dilinle konu\u015fman bile kar etmez; lakin \u2018anadilim\u2019 dedi\u011fin \u015fey bile s\u00f6m\u00fcrgecinin zihinsel kodlar\u0131ndan dam\u0131t\u0131lm\u0131\u015f \u2018annenin olmayan\u2019 dilidir. Bu sarmal dram, s\u00f6m\u00fcrgecinin b\u00fct\u00fcn zihinsel kodlar\u0131n\u0131 kendi i\u00e7inde yap\u0131s\u00f6k\u00fcme u\u011frat\u0131p kendinle ilgili tan\u0131mlarda sadece kendini refere etti\u011fin o b\u00fcy\u00fck an\u2019a kadar s\u00fcrer. \u0130\u015fte bu an, tam da \u2018ilk kur\u015fun\u2019u s\u00f6m\u00fcrgecinin g\u00f6\u011fs\u00fcne de\u011fil, s\u00f6m\u00fcrgecinin sende \u00e7\u00fcr\u00fctt\u00fc\u011f\u00fc \u2018senin olmayan benli\u011fine \u2019s\u0131kt\u0131\u011f\u0131n e\u015fikte ortaya \u00e7\u0131kan bir par\u0131lt\u0131d\u0131r!&nbsp; Amed&#8217;de ya\u015fl\u0131 bir amcan\u0131n &#8216;Kurd xayin in&#8217; laf\u0131 ile bir T\u00fcrk fa\u015fistinin &#8216;Hain K\u00fcrtler&#8217; laf\u0131 ayn\u0131 zihinsel referans\u0131n iki ayr\u0131 \u00e7\u0131kt\u0131s\u0131d\u0131r. Bu s\u00f6ylemi yaratan duygu d\u00fcnyalar\u0131 ne kadar birbirinden farkl\u0131 olsa bile s\u00f6yleten kod \u2018s\u00f6m\u00fcrgecinin\u2019 kodudur. \u00c7\u00fcnk\u00fc en nihayetinde K\u00fcrtl\u00fck ile hainlik \u00f6zde\u015f k\u0131l\u0131nm\u0131\u015ft\u0131r!&nbsp; Alabildi\u011fince \u00fczerinde emanet duran ve sana bizzat zorla \u00f6\u011fretenlerin yer yer \u2018mizah\u0131na ana malzeme olan k\u0131r\u0131k T\u00fcrk\u00e7ende inat edi\u015fin Fanon\u2019un bahsetti\u011fi beyaz taraf\u0131ndan k\u0131\u015fk\u0131rt\u0131lm\u0131\u015f siyahi kompleksin sana sinsice s\u0131r\u0131tmas\u0131d\u0131r. &#8216;Diya min Kurd e l\u00ea ez ne Kurd im&#8217; (Annem K\u00fcrt ama ben de\u011filim) c\u00fcmlesinin tek m\u00fcsebbibi olarak alt\u0131 ya\u015f\u0131ndan itibaren bilin\u00e7alt\u0131na kaz\u0131nm\u0131\u015f &#8216;And\u0131m\u0131z&#8217;\u0131 ve ilkokulda ezberletilmi\u015f \u015fanl\u0131 tarih kitaplar\u0131n\u0131 g\u00f6stermen de seni kurtarmaz art\u0131k. &#8216;Bajar\u00ee Tirk\u00ee, gund\u00ee Kurmanc\u00ee diaxifin&#8217; (\u015eehirliler T\u00fcrk\u00e7e k\u00f6yl\u00fcler ise K\u00fcrt\u00e7e konu\u015fur) kabul\u00fcn\u00fcn yerine \u2018Kurd\u00ee t\u00eara ziman\u00ea zanist\u00ea nake\u2019 (K\u00fcrt\u00e7e bilim dili i\u00e7in yetersizdir) kabul\u00fcn\u00fc ikame etmi\u015fsindir. Mardin \u00c7ars\u0131s\u0131nda devlet erk\u00e2n\u0131yla d\u00fckk\u00e2n\u0131nda otururken d\u00fckk\u00e2na giren ve K\u00fcrt\u00e7e konu\u015fan bir ba\u015fka K\u00fcrde burun k\u0131v\u0131ran, hatta ayn\u0131 dili konu\u015fman\u0131n utanc\u0131yla efendisinin yan\u0131nda mahcup d\u00fc\u015fen bir esnaf\u0131n K\u00fcrtl\u00fc\u011f\u00fcne dair duygu d\u00fcnyas\u0131n\u0131 kurcalamadan meseleyi sadece \u2018anadilde e\u011fitim\u2019 ba\u011flam\u0131na hapsetmek seni fena bir tuza\u011fa \u00e7ekmi\u015ftir. B\u00fct\u00fcn bu e\u015fitsizli\u011fin, yarat\u0131lan \u2018yetmezlik\u2019 duygusunun sosyolojik kar\u015f\u0131l\u0131\u011f\u0131 Erci\u015f\u2019te ya\u015fl\u0131 bir amcan\u0131n &#8216;Tirk\u00ee ziman\u00ea efendiya ye&#8217; (T\u00fcrk\u00e7e efendilerin dilidir) c\u00fcmlesinde v\u00fccuda gelmi\u015ftir.&nbsp; Bu ba\u011flamda K\u00fcrt enteljansiyas\u0131n\u0131n K\u00fcrt\u00e7e ile ili\u015fkilenme tarz\u0131n\u0131n trajik tarihini K\u00fcrt modernle\u015fmesi ile K\u00fcrt Gelenekselli\u011fi aras\u0131ndaki y\u00fczlerce y\u0131ll\u0131k ge\u00e7i\u015flilik, \u00e7at\u0131\u015fma, kar\u015f\u0131l\u0131kl\u0131 etkilenme ba\u011f\u0131 \u00fczerinden kurman\u0131n zorunlu\u011fu kendini g\u00f6stermektedir. Osmanl\u0131\u2019n\u0131n son d\u00f6neminden bu g\u00fcne kadar K\u00fcrt ayd\u0131nlar\u0131n\u0131n kulland\u0131\u011f\u0131 tarihsellik, vatan, dil, k\u00fclt\u00fcr, kurtulu\u015f, devrim ve modernlik s\u00f6yleminin i\u00e7inden K\u00fcrtl\u00fck ve K\u00fcrdistan\u2019\u0131 \u00e7\u0131kard\u0131\u011f\u0131n\u0131zda geriye kalan \u015fey, ya \u0130ttihat\u00e7\u0131l\u0131ktan ya da \u0130slamc\u0131l\u0131ktan fazlas\u0131yla etkilenmi\u015f \u00e7a\u011fr\u0131 manzumeleridir.&nbsp;&nbsp;\u00d6zetle \u0130slamc\u0131 sa\u011f ile ayd\u0131nlanmac\u0131 solun tedrisat\u0131ndan ge\u00e7mi\u015f K\u00fcrt ayd\u0131nlar\u0131n\u0131n K\u00fcrt\u00e7e derdi kurtulu\u015f mitinin i\u00e7inde \u00e7o\u011funlukla \u2018ikincil\u2019 kalm\u0131\u015ft\u0131r. DDKO\u2019nun mahkeme savunmalar\u0131nda \u2018Devlet, Do\u011fu illerine okul a\u00e7mad\u0131\u011f\u0131 i\u00e7in insanlar mecburen \u00e7ocuklar\u0131n\u0131 medreselerde gerici bir e\u011fitime g\u00f6ndermeye mecbur kal\u0131yor\u2019 demesinden 1990\u2019l\u0131 y\u0131llarda binlerce K\u00fcrt yurtseverini katletmi\u015f bir siyasal gelene\u011fin \u2018K\u00fcrt\u00e7e E\u011fitim Dili Olsun\u2019 dedi\u011fi g\u00fcnlere gelmi\u015f bulunmaktay\u0131z. K\u00fcrtl\u00fc\u011f\u00fcn\u00fc sonradan ke\u015ffetmi\u015f olman\u0131n o sars\u0131c\u0131 romantizmiyle oto oryantalizmin her t\u00fcrl\u00fc tuza\u011f\u0131na d\u00fc\u015fen, k\u00f6kleri d\u0131\u015far\u0131da bir k\u00f6k aray\u0131\u015f\u0131, tarihsel belle\u011fin in\u015fas\u0131 ad\u0131 alt\u0131nda \u015fekillenen bir \u2018ge\u00e7mi\u015f feti\u015fizmi ve ar\u015fiv tap\u0131n\u0131c\u0131l\u0131\u011f\u0131\u2019 K\u00fcrt\u00e7eyi otantik d\u00fcnyan\u0131n balkonunda konu\u015fulan sevimli bir dil olarak kodlayan bir \u2018entelekt\u00fcel panay\u0131r\u0131n\u2019 tam ortas\u0131na d\u00fc\u015fm\u00fc\u015f bulunmaktay\u0131z. Ama bu panay\u0131r\u0131n yaratt\u0131\u011f\u0131 belki de en b\u00fcy\u00fck olumsall\u0131k, K\u00fcrt\u00e7enin art\u0131k K\u00fcrd\u00fcn ertelenemez asli bir sorunu oldu\u011fu ger\u00e7e\u011fidir. Birileri K\u00fcrd\u00fcn asli dilinin yerine egemenin s\u0131n\u0131rlar\u0131n\u0131 belirledi\u011fi resmi bir dili dola\u015f\u0131ma sokarken, di\u011feri K\u00fcrd\u00fcn tarihsel direni\u015f gelene\u011finden s\u00fcz\u00fcl\u00fcp gelmi\u015f bir K\u00fcrt\u00e7eye a\u011fdalar \u00e7ekerek, past\u00f6rize ederek, senfonikle\u015ftirirken bunu literat\u00fcre \u2018politik kayg\u0131 ta\u015f\u0131mayan sanatsal zarafet \u2018 olarak sunmaktad\u0131r. Kendini K\u00fcrtl\u00fck d\u00fcnyas\u0131n\u0131n k\u0131y\u0131s\u0131na \u00e7ekerek kibrini \u2018s\u00fcr\u00fcn\u00fcn i\u00e7inde benekli koyunum\u2019 alegorisiyle maskeleyenlerin,&nbsp; bilin\u00e7alt\u0131ndaki \u00fclkesinin K\u00fcrdistan, dilindeki \u00fclkesinin b\u00f6lge olmas\u0131n\u0131n hi\u00e7bir k\u0131ymeti harbiyesi yoktur art\u0131k! B\u00f6ylesi bir tutumun Vizontele filminde film boyunca K\u00fcrt devrimcilerine bir tek K\u00fcrt\u00e7e c\u00fcmle kurdurmayan Y\u0131lmaz Erdo\u011fan \u00fcrkekli\u011finden ve kurnazl\u0131\u011f\u0131ndan hi\u00e7bir fark\u0131 yoktur! K\u00fcrtlerin bin y\u0131llara dayanan sosyolojik ve tarihsel ger\u00e7ekli\u011fini do\u011fru yerden okuyabilen bir insan ancak K\u00fcrtlerin dil ve k\u00fclt\u00fcr noktas\u0131ndaki direncini ve inad\u0131n\u0131 do\u011fru yerden okuyabilir. K\u00fcrtleri bu g\u00fcn kimlik\u00e7ilik siyaseti \u00fczerinden ele\u015ftiren bir solcunun (?) Ankara\u2019n\u0131n g\u00f6be\u011finde K\u00fcrt\u00e7e \u015fark\u0131 okudu\u011fu i\u00e7in b\u0131\u00e7aklan\u0131p \u00f6ld\u00fcr\u00fclm\u00fc\u015f bir K\u00fcrd\u00fcn cesedine bak\u0131p \u2018ayyy bunlar ne istiyorlar?\u2019 diyen bir ortalama milliyet\u00e7iden hi\u00e7bir fark\u0131 yoktur! Benim b\u00fct\u00fcn varolu\u015fuma \u015fekil veren anadilim konusundaki inad\u0131m\u0131 egemen olman\u0131n b\u00fct\u00fcn ayr\u0131cal\u0131klar\u0131n\u0131 ya\u015fayan bir beyaza anlatmak i\u00e7in Nasrettin Hoca\u2019n\u0131n damdan d\u00fc\u015ferken \u2018bana doktor de\u011fil damdan d\u00fc\u015fen birini getirin\u2019 \u015feklinde s\u00f6yleme \u015fans\u0131m olmad\u0131\u011f\u0131na g\u00f6re \u00fczg\u00fcn\u00fcm! Anadilde e\u011fitimin olup olmamas\u0131 gibi bir tart\u0131\u015fmay\u0131 bile y\u00fcr\u00fctmek meseleyi bu kadar geri bir yerden almak iken bu kadar insani bir talebi kimlik\u00e7ilik eksenine hapsetmenin bariz kar\u015f\u0131l\u0131\u011f\u0131 kitabi bir gevezeliktir, sol kibirdir ve k\u00fc\u00e7\u00fck burjuva konformizminden beslenen kasabal\u0131 l\u00fcmpenli\u011fidir. \u0130zmirli beyaz bir yazar\u0131n K\u00fcrt ve T\u00fcrk gen\u00e7lerinin sevgili olmas\u0131 gerekti\u011fi \u015feklindeki beyanat\u0131yla Rize Belediye ba\u015fkan\u0131n\u0131n K\u00fcrt kad\u0131nlar\u0131n\u0131n T\u00fcrk erkekleri taraf\u0131ndan kuma olarak al\u0131nmas\u0131 gerekti\u011fi ile \u2018hep karde\u015f olacak de\u011filiz ya ya\u015fas\u0131n halklar\u0131n sevgilili\u011fi\u2019 diyen Hakk\u00e2rili bir \u015fovmenin bize \u00f6\u011fretti\u011fi tek bir \u015fey vard\u0131r. K\u00fcrtlerin anadil sorunu ba\u015fta olmak \u00fczere K\u00fcrt sorunu bil c\u00fcmle soytar\u0131ya g\u00fcndem malzemesi yap\u0131lmayacak kadar ciddi bir sorundur!&nbsp; Modern iktidar\u0131n dilin d\u00fcnyaya ait ger\u00e7ekli\u011fini kurma ve anlam d\u00fcnyas\u0131na \u015fekil verme g\u00fcc\u00fcn\u00fc b\u00fcy\u00fck oranda yok etti\u011fini, dil ve anlam aras\u0131ndaki par\u00e7alanman\u0131n s\u00f6z\u00fc \u00f6ld\u00fcrd\u00fc\u011f\u00fcn\u00fc, mitolojinin dil \u00fczerindeki karanl\u0131k g\u00f6lgesinin akl\u0131n dil \u00fczerindeki karanl\u0131k g\u00f6lgesine d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcnden hatta dilin art\u0131k hi\u00e7bir \u015feyi anlatamayan bir say\u0131klamaya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc kabul etsem bile tek bir \u015fey isterim: T\u00fcm bunlar\u0131 kendi dilimle yaz\u0131p okumak! Bat\u0131 d\u00fcnyas\u0131 istedi\u011fi kadar dilin \u00f6l\u00fcm\u00fcn\u00fc ilan etsin; dil bu topraklarda hala canl\u0131d\u0131r; g\u00fc\u00e7l\u00fc bir praksis ile birlikte b\u00fcy\u00fcd\u00fc\u011f\u00fcnde d\u00f6n\u00fc\u015ft\u00fcrme g\u00fcc\u00fcnden ve kudretinden hi\u00e7 bir \u015fey kaybetmemi\u015ftir. Dil hala devrimcidir; bu dilin sahipleri Sultan Sencer\u2019den Kemalist devrime kadar Kurdistan denilen \u00fclkelerine Kurdistan dedikleri i\u00e7in bug\u00fcn cezaevlerindedir. \u0130lkokulda \u2018Tu Kurd\u00ee dizan\u00ee\u2019 diye soran \u00f6\u011fretmene, \u00e7ocu\u011fun \u2018Na ez Kurd\u00ee nizanim\u2019 dedi\u011fi andaki zihinsel yar\u0131lmay\u0131 ve duygu par\u00e7alanmas\u0131n\u0131 anlayamayanlar bir zahmet \u00f6teye gitsin!&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":340,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":4,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-91","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":3,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/91\/revisions"}],"predecessor-version":[{"id":341,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/91\/revisions\/341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/media\/340"}],"wp:attachment":[{"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/selaheddinbiyani.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}